theater Walnut Street Theatre

Theater review: Other Desert Cities

Please note: This article is published as an archive copy from Philadelphia City Paper. My City Paper is not affiliated with Philadelphia City Paper. Philadelphia City Paper was an alternative weekly newspaper in Philadelphia, Pennsylvania. The last edition was published on October 8, 2015.

Other Desert Cities is part generational comedy and part family reckoning, and neither is completely successful.

Theater review: Other Desert Cities

Mark Garvin
Theater review: Other Desert Cities

Mark Garvin

The theme of family ghosts that refuse to stay buried is gold dust to American playwrights, and it’s central to Jon Robin Baitz’s Other Desert Cities. In 2011, this play, with a star-studded cast, was well received on Broadway (it was also a finalist for the Pulitzer). Seeing it at the Walnut Street Theatre, in a more modest but quite fine production, we can judge for ourselves.

Baitz’s subject is the formidable Wyeth family — parents Polly and Lyman, adult children Brooke and Trip — who seem to have everything going for them, including intelligence, charm, prestige and financial success (just look at the Wyeths’ palatial Palm Springs home, a model of mid-century fabulousness). Sure, there are minor tensions — the older Wyeths’ Republican leanings annoy the younger ones. But when Brooke, a writer, confronts her parents about her dead brother Henry, things go seriously off the rails. You see, years ago, Henry took part in a catastrophic anti-war protest that forever dimmed his family’s future.

Other Desert Cities is part generational comedy and part family reckoning, and neither is completely successful. There are some funny lines, but the wit could be sharper. The darker issues are cleverly plotted, but the writing never cuts as deeply as it could. Much of the script is a too-tidily constructed series of polarized debates: parents versus children, liberal versus conservative, keeping family secrets versus living out loud. Still, it’s entertaining and occasionally thought-provoking, and the last two scenes pack a wallop.

Under the fluid and assured hand of director Kate Galvin, the Walnut’s Other Desert Cities is visually handsome and well acted across the board. In one sense, at least, it’s an improvement over the Broadway version — on Broadway, it was hard to forget we were watching a series of bravura star turns. This ensemble actually feels convincingly like a family.

Through March 2, $14.25-$81.75, Walnut Street Theatre, 825 Walnut St., 215-574-3550, walnutstreettheatre.org.

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