November 29, 2000
critic pick|rock/pop
Kasey Chambers
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"Growing up, I thought everyone hunted for food," she says, quite earnestly, by phone from Sydney.
The family lived without running water and electricity, surviving by hunting and selling fox pelts and spent evenings singing around a campfire or listening to father Bills tapes of Hank Williams and Emmylou Harris. By the time they returned to civilization in this case, a town of 200 residents home-schooled Casey was ten and already a seasoned singer.
The family formed the Dead Ringer Band, built a loyal following playing pubs throughout the country and released four successful albums before Casey went solo. Chambers debut album, The Captain, went platinum in Australia last year and nabbed her a slew of Aussie country music awards.
"Ive really got no competition there; no other girls are doing what Im doing," explains the modest Chambers.
The records now getting a major push by Chambers U.S. label, Warner Bros. Championed by Lucinda Williams, The Captain is, by Chambers own description, "the story of my first 23 years jammed into 45 minutes."
Lyrically mature beyond her years, Chambers twangy voice sort of a cross between Williams and Iris DeMent is disarming in its ability to sound innocently youthful and worldly wise at the same time.
Her four member touring band includes her dad on guitar; brother Nash is with the sound crew. "People ask if its weird being with my family members on the road to be honest, it would feel really weird not to have them with me. We were on the road together for years and years and this environment is a bit easier."
Kasey Chambers, Mon., Nov. 6, 8 p.m., The Point, 880 W. Lancaster Ave., Bryn Mawr, $6, 610-527-0988.